Wardrobe of Faith explores the absurdity of modern devotion through the lens of fashion. In this imagined future, saints and myths have been replaced by outfits and trends, belief systems woven in neon fabrics, rituals performed under chrome lights. The film uses irony and satire to reveal how style becomes both identity and survival: vending machines deny entry to the unstylish, reality shows debate “sustainable” accessories, and holy relics take the shape of cowboy hats and vinyl coats. The project deliberately blurs boundaries between advertising, cinema, and social media. By mixing documentary parody with editorial imagery, it questions the role of fashion as a new form of faith, simultaneously sacred, ridiculous, and contaminating. Entirely generated with Artificial Intelligence, the short film becomes a meta-commentary: while the visuals, voices, and motion are synthetic, the cultural critique and irony are human. In this way, Wardrobe of Faith reflects on how technology and aesthetics merge to produce myths of the present where what we worship is not divinity, but spectacle. All images, voices, and motion were generated with Artificial Intelligence. The idea, concept, and creative direction belong to Rose Days.