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Muraqqa, Data Miniatures – The Beginning and the End

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Muraqqa, Data Miniatures – The Beginning and the End
Special Recognition Conceptual
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Muraqqa, Data Miniatures – The Beginning and the End

Orkhan Mammadov
Conceptual
Subcategory Other
AI Software Generative adversarial network (GAN), CLIP, Houdini

From the silent dawn of the universe to the vibrant tapestry of human existence, the Muraqqa Data Miniatures encapsulate our journey. Spanning eons, cultures have sung unique verses in humanity's epic, each leaving a mark on art and identity. Wars, diversity, and revolutions have sculpted our heritage, now reborn in "The Beginning and The End". It is a fusion of ancient craft and machine creativity and explores the essence of art across eras. It's a transformative dialogue, challenging perceptions of art and technology. Here, history and future, analog and digital, converge, inviting us to rethink our role in a world shaped by our creations.

Orkhan Mammadov, a native of Azerbaijan—a land at the crossroads of diverse cultural traditions, intertwines this historic art form with modern data visualisation. His innovative use of machine intelligence, employing Diffusion and GAN models, revitalises the classical intricacy of 98 miniatures, transforming them into animated ‘data miniatures.’ These are then intricately displayed through a mesmerising 2 million particle simulation, which not only exhibits the aesthetics of the original works but also infuses them with new life, allowing the past to resonate within the digital landscape of today. "Derived from Arabic, ‘Muraqqa’ denotes a patched garment, symbolising the assemblage of diverse artistic pieces. Like miniatures, data’s intrinsic portability fosters global access and dissemination, echoing art's role in sharing stories and knowledge across cultures,” says the artist.

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