2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! – 2025 WINNERS ARE LIVE! –
← Return to gallery
May Queen
Lucy Crofts · United Kingdom of Great Britain and Northern Ireland
Conceptual & Fine Art
This triptych was created by blending and reblending AI outputs to capture a natural sense of movement, flow, and energy. The process was guided by handmade cyanotypes and old family photographs, using their tones and textures to build a specific colour palette. I wanted to explore the feeling of spinning freely as a child - to evoke a sense of nostalgia, lightness, and the fleeting nature of memory. Each frame builds on the last, creating the impression of real motion. My aim was to push the AI tool beyond its default outputs, using layering, distortion, and traditional influences to blur the lines between photography, fine art, and AI-generated imagery.