The main spectrum of my considerations is the awareness of time and transience. I try to find my own typological systems, which begin to speak to me. The substance and material of my works are forms derived from the imagination based on Platonic solids, processed and separated from the easy unambiguity of associations. Traces of time, which belong to my area of ​​creativity, belong partly to the material world, and partly to the sphere of spirit. They contain a kind of unreality necessary for the creation of the work. I try to create a specific, subjective archive of transience. For me, storytelling is always a kind of confabulation, a process based more on creating the world than recreating it. The formal scope of the works ranges from graphics through photography to new media.